2019, For Legged Municipality, Istanbul Research Institute

Berlin

Between February 17th and March 13th, 2019, I screened daily clips, short films, and documentaries about dogs and their interactions in public spaces. These screenings took place each evening between sunset and dusk, right in the front window of the project space. The event concluded with a gathering called "PLAYING THE DOG."

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2019, For Legged Municipality, Istanbul Research Institute

Berlin

2019, Wind Carry My Voice: Moden Story of Exile (Emre Akkuş, 2010)

Berlin

2019, Wind Carry My Voice: Moden Story of Exile (Emre Akkuş, 2010)

Berlin

2019, Wind Carry My Voice: Moden Story of Exile (Emre Akkuş, 2010)

Berlin

2019, HIGHWAY RAT (Burak Erkil, 2014)

Berlin

2019, Chienne D'Historie - Barking Island | Serge AVÉDIKIAN, 2010

Berlin

2019, Chienne D'Historie - Barking Island | Serge AVÉDIKIAN, 2010

Berlin

2019, I AM SORRY, I AM A DOG (Burak Erkil, 2014)

2019, Greek Riot Dogs

Berlin

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2019, Greek Riot Dogs

Berlin

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2019, Greek Riot Dogs

Berlin

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2019, Presenting contemporary Turkish Painter Ali Elmacı

Berlin

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2019, Presenting contemporary Turkish Painter Ali Elmacı

Berlin

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2019, Presenting contemporary Turkish Painter Ali Elmacı

Berlin

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2019, Presenting contemporary Turkish Painter Ali Elmacı

Berlin

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2019,BEWARE THE DOG signs around the world

Berlin

2019, Berlin Wall Dogs Documentary

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2019, SALON GROOM PETS LOOKS LIKE WILD ANIMALS (VICE DOCUMENTARY, 2018)

Berlin

2019, Annika Eriksson

I am the dog that was always here (loop)

Video, 7 minutes loop, 2013.

Commission for the 13^th Istanbul Biennale. Curated by Fulya Erdemici.

The video, set in the outskirts of Istanbul, focuses on moments of transition and marginalised experiences of time and site, seen through the lens of a street dog. Having been moved by the authorities to peripheral pockets outside the expanding city, the dogs are continuously moving along lines of gentrification and corporate city making. Through looping and repetition, the video relates this process to an experience of time: exploring the present as a complex gap between past and future, one in which an increasing process of erasure, also removes other registers of being and seeing.

2019, Annika Eriksson

I am the dog that was always here (loop)

Video, 7 minutes loop, 2013.

Commission for the 13th Istanbul Biennale. Curated by Fulya Erdemici.

The video, set in the outskirts of Istanbul, focuses on moments of transition and marginalised experiences of time and site, seen through the lens of a street dog. Having been moved by the authorities to peripheral pockets outside the expanding city, the dogs are continuously moving along lines of gentrification and corporate city making. Through looping and repetition, the video relates this process to an experience of time: exploring the present as a complex gap between past and future, one in which an increasing process of erasure, also removes other registers of being and seeing.

2019, Annika Eriksson

I am the dog that was always here (loop)

Video, 7 minutes loop, 2013.

Commission for the 13th Istanbul Biennale. Curated by Fulya Erdemici.

The video, set in the outskirts of Istanbul, focuses on moments of transition and marginalised experiences of time and site, seen through the lens of a street dog. Having been moved by the authorities to peripheral pockets outside the expanding city, the dogs are continuously moving along lines of gentrification and corporate city making. Through looping and repetition, the video relates this process to an experience of time: exploring the present as a complex gap between past and future, one in which an increasing process of erasure, also removes other registers of being and seeing.

2019, Why This Stray Dog Stays On The Rocky Shore ?

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2019, 17-Year-Old Syrian Refugee Carries Puppy 300 Miles to Safety

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2019, UP DOWN UP by William Wegman (2017)

Berlin

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2019, BLUE DOGS SPOTTED IN INDIA (2018)

Berlin

2019, Dogs in History of Art

Berlin